The memorialisation of the Partition of the Indian subcontinent in 1947 through popular cinema is the theme of this paper. Both in India and Pakistan, cinema as a cultural production wields immense influence in the lives of the people and mainstream cinema has been deeply affected by Partition.
The 1947 Partition of India has recently re-emerged as a thematic concern of many South Asian films about nationalism in popular and parallel cinema. These films invoke the 1947 Partition in both productive and troubling ways: they connect it to the contemplation of the role of religion in the contemporary nation-state, and of the impact of religious ethnicity, terrorism and gender on the experience of citizenship in both India and Pakistan.
In this article, I examine the 1971 war (better known as the war for the liberation of Bangladesh) from a western Indian perspective. I argue that this war between India and Pakistan—while it focused overtly on the independence of East Pakistan—had some significant consequences for the western border between Kutch (in Gujarat state) and Sindh (in Pakistan).
