partitoin of India

Ramchand Pakistani, Khamosh Pani and the traumatic evocation of Partition

Author(s): 
Humaira Saeed
Publisher/Sponsor: 
Taylor & Francis Online
www.tandfonline.com/doi/full/10.1080/10350330903361166

This article will address the themes of partition, gender and trauma within two independent films from Pakistan, Sabiha Sumar's Khamosh Pani (2003) and Mehreen Jabbar's Ramchand Pakistani (2008). The article will consider how the events of 1947 – partition of India and creation of Pakistan – recur within the films as disruptive trauma. The article will consider what an engagement with the characteristics of trauma such as involuntary recall and disruption can bring to my readings of the films.