The concern of Partition narratives has generally been with displacement, loss of identity, alienation, gender and violence, as well as the rehabilitation of refugees. What is elided in them is the tragedy of those villagers who lost their land and livelihood in order to make space for the thousands of refugees who were resettled in “refugee” colonies. This article explores a key aspect of the impact of the Partition of India; namely, the rapid transformation of rural spaces in the periphery of the capital city of Delhi, which saw a massive influx and resettlement of refugees.
The Bengali sufferers of the tragic partition of India in 1947 have arguably failed to garner the political, policy, and discursive attention received by their West Pakistani or Punjabi counterparts. A case in point, Chittaranjan Park – a sub-urban neighborhood or colony of New Delhi granted as a ghetto to the Bengalis rendered rootless by the formation of East Pakistan – is rarely a muse for forays in partition studies or borderscaping.
This is a Partition-Independence that we have not always faced up to in our history-writing and our public presentations of that moment of 'liberation'. A focus on the Muslims of a disturbed and high-profile place such as Delhi in 1947-48 allows us to recover something of the suppressed memories of Partition and Independence, at the same time as we ask something about the way in which the history of these events has been written up.
Abstract: Since the early 1980s, novels by Indians in English have become the site of a transnational publishing ‘boom’ made possible by the opening of Anglo-American literary markets to non-white writing. This essay begins by illuminating the disconnect between the postcolonial versus transnational framings of Indian English fiction. It shows how this literature has gone from being grounded in the politics of particular places to being framed as a de-territorialized literary flourishing, thereby denuding it of its political relevance in an era of transnational literary production.