This article will take as its case study the 1947 India/Pakistan partition, and is based on a large oral history project, which took place over the last five years. In this article, I focus on selected excerpts from some of my interviews, examining the ways in which people describe religious belief, practice, prejudice and violence as corporeal experiences, with markers of religiosity often inscribed on the body. I examine how the corporeality of religious violence was not an aberration from everyday religious practices, but in effect an extension of religion as an embodied entity.

In this article, I examine the 1971 war (better known as the war for the liberation of Bangladesh) from a western Indian perspective. I argue that this war between India and Pakistan—while it focused overtly on the independence of East Pakistan—had some significant consequences for the western border between Kutch (in Gujarat state) and Sindh (in Pakistan).

Compared to Punjab and Bengal, Gujarat's experiences of the Partition of India in 1947 remain curiously under-researched even though the state has a long border with Pakistan and over a million people migrated to Gujarat, mostly from neighbouring Sindh. This paper seeks to fill this lacuna in Partition scholarship by examining the experiences of two Hindu groups, Sindhis and Gujarati Dalits, who left Sindh to settle in Ahmedabad.

Ever since the Partition, novelists on either side of the India–Pakistan border have used fictional space imaginatively to formulate discourses on a humanistically-centred, multiplistically-defined Other identity, which writes itself into existence through the prism of the novelists’ contextual present. In this article, I will focus on three partition narratives: Salman Rushdie's Midnight's children (1980), Bapsi Sidhwa's Ice candy man (1988) and Amitav Ghosh's The shadow lines (1988).